Pop Star Meltdown Over Trump ICE Video

Police U.S. Border Patrol uniform close-up.

A pop star just branded Trump’s pro‑ICE immigration video “evil n boring,” proving again how out‑of‑touch celebrity outrage is with Americans who want the law enforced.

Story Snapshot

  • SZA blasted the Trump White House for using her song “Big Boy” in a social‑media video highlighting ICE arrests of criminal illegal immigrants.
  • The clip is part of a broader Trump strategy to showcase tough immigration enforcement after years of Biden‑era chaos at the border.
  • Left‑leaning artists like SZA, Sabrina Carpenter, and Olivia Rodrigo keep attacking enforcement videos while millions of Americans demand secure borders.
  • The clash exposes a deep cultural divide between ruling‑class entertainers and working‑class families living with the consequences of illegal immigration.

Pop Star Outrage Meets a Tough Immigration Agenda

The latest skirmish in America’s culture war over the border came when R&B star SZA attacked an official White House video that paired her viral song “Big Boy” with footage of ICE officers arresting criminal illegal immigrants. The 30‑second montage, posted to the administration’s X account, used the song’s “cuffing season” hook to underscore the message that lawbreakers were finally being “cuffed” and removed from American communities after years of lax enforcement.

SZA fired back on social media, denouncing the immigration video as “PEAK DARK,” calling the enforcement imagery “inhumanity,” and labeling the whole thing “evil n boring.” Her longtime manager, Terrence “Punch” Henderson, had already accused the White House of deliberately provoking artists so their angry responses would help spread what he called propaganda. From their perspective, the problem was not criminal activity or open borders, but that a tough deportation message dared to use a catchy mainstream track.

White House Stands Firm on Deporting Criminal Illegal Aliens

The Trump White House did not apologize or back down. Instead, spokesperson Abigail Jackson thanked SZA for drawing even more attention to the work ICE is doing to arrest dangerous criminal illegal aliens. That response echoed the broader posture of the current administration, which has made stepped‑up deportations, a closed border, and the restoration of immigration law central to its 2025 agenda after years of Biden‑era chaos, record crossings, and crime tied to transnational cartels and repeat offenders.

For many conservative voters, especially those who watched their communities strained by illegal immigration and fentanyl trafficking, the video reflected what the federal government should have been doing all along. Trump’s new term has focused on shutting down the endless flow at the southern border, designating major Latin American cartels as terrorist organizations, and protecting public benefits for citizens rather than illegal entrants. Against that backdrop, a short, hard‑hitting ICE montage felt like overdue accountability, not “evil” propaganda, to millions who have buried loved ones or watched wages stagnate.

Pattern of Celebrity Backlash Against Immigration Enforcement

SZA’s response did not come out of nowhere. She joined a growing list of pop artists who have condemned recent immigration‑enforcement videos. Sabrina Carpenter blasted a prior White House clip that used her song “Juno” to soundtrack ICE agents chasing and arresting illegal immigrants, calling it “evil and disgusting” and accusing the administration of pushing an “inhumane agenda.” In another case, Olivia Rodrigo attacked a Department of Homeland Security video that used her music alongside a message encouraging undocumented migrants to return home.

In each incident, the pattern looks similar. Official accounts for the White House or DHS post slick, social‑media‑friendly clips that showcase officers enforcing the law and emphasize criminal activity by those being removed. Artists then react with outrage, accusing the government of racism, cruelty, or “shock and awe tactics.” Corporate media outlets quickly amplify the celebrity complaints, often giving more attention to the artists’ feelings than to the victims of crimes committed by repeat offenders who should have been deported long ago.

What This Clash Reveals About America’s Cultural Divide

For a conservative audience already frustrated by years of open‑borders rhetoric, the SZA episode spotlights a wider rift between coastal celebrity culture and everyday Americans. Many working‑ and middle‑class families see immigration enforcement as a basic requirement of national sovereignty and public safety. They watched left‑wing activists, Biden officials, and media commentators spend years smearing ICE as inherently evil while communities dealt with gang violence, drug smuggling, and overwhelmed social services.

The Trump administration’s decision to lean into this fight rather than retreat sends a clear signal: the days of apologizing for enforcing immigration law are over. Pop stars can call ICE videos “evil n boring,” but that does not change the constitutional duty of the federal government to secure the border and remove criminal aliens. For conservatives who care about the rule of law, national sovereignty, and protecting American families, the real outrage is not that a hit song underscored an arrest montage—it is that enforcing the law is still treated as controversial at all.

Sources:

SZA slams White House for using her song in immigration video ‘evil n boring’

Pop star SZA lashes out at White House as ‘evil n boring’ over deportation post using her song

SZA slams White House for ‘evil and boring’ ICE post